Shriram Bharatiya Kala Kendra: A History. Ganga Jamuni: Silver and Gold: A Forgotten Culture. The Language of Seduction in the Courtesan Performance. Hindi Poetry in a Musical Genre: Thumri Lyrics. London–New York–New Delhi: Routledge: 205–224.ĭu Perron, L.
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Re-exporting ‘Tradition’: The Transcultural Practice of Kathak in Kolkata and the Creation of a New Female Body. In: Dance Research Journal, 36(2): 50–63.ĭalidowicz, M.
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Princeton: Princeton University Press.Ĭoorlawala, U. The Nation and Its Fragments: Colonial and Postcolonial Histories. Dancing into Modernity: Multiple Narratives of India’s Kathak Dance. New York: Oxford University Press.īanerjee, P. Nationalism in the Making of an Indian Classical Tradition. New Delhi: Kanishka Publishers.īakhle, J. Rewriting the Script for South Indian Dance. The paper is based on ethnographic fieldwork, combined with historical research, conducted in the period 2014–2015.Īllen, M. The impact of regional culture, economic conditions and cosmopolitanism are regarded as important factors reshaping Kathak art, practice and systems of knowledge transmission. The tendency of Sanskritization in national dance institutes (Kathak Kendra) is juxtaposed with the preservation of ‘traditional’ form in dance schools of Lucknow (nowadays becoming more provincial locations of Kathak tradition) and innovative / experimental tendencies. It also examines various trends of further modernization of Kathak in globalized, metropolitan spaces. The paper investigates how the shift of hereditary artists from Lucknow to Delhi affected their tradition in newly founded, state-supported institutions. It focuses on the Lucknow gharānā (“school”) of Kathak, which sprung up mainly in courts and salons of colonial Avadh as a product of Indo-Islamic culture. The article deals with the modern history of Kathak, explored from regional perspectives.
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Classical Indian dance, Kathak, Lucknow gharānā, Indo-Islamic culture Abstract